'Salman has supported me, but at the same time, let me have my own journey.'
To be able to bid farewell to Daniel Craig is an emotion all fans of the Bond franchise must experience, feels Aseem Chhabra.
Kaanekkaane is Suraj's triumph all the way, declares Divya Nair.
Vidya Balan *really* wants her new film Hamari Adhuri Kahani to do well.
A look at Bollywood's best cabaret performers over the years! Who is 'YOUR' favourite?
Friendships are not merely severed, but built over scuffles. And just about anything can stir things up -- a long-standing feud, a pointless stare, a disrupted moral stance, a fist that ricochets off a face and smacks another face in the near vicinity, observes Sreehari Nair.
Sukanya Verma tells you everything you need to know about the Oscars.
Badhaai Do carries its audience on the wave of those little farces that come with being queer in India, a land where masculinity still has some say, observes Sreehari Nair.
Part of what make Ee.Ma.Yau so special is its ability to focus our attention on things that conventional movies throw away under the pretext of storytelling, says Sreehari Nair.
'Kumbalangi Nights is a movie that respects women, but most importantly, it's a movie that loves them,' says Sreehari Nair.
'I've never allowed success to go to my head.' 'I've seen many artistes fall because of their pride.'
'The death of Tulsi Ramsay signals the end of an era.'
The popularity of the fashion trends the movie established saw the Filmfare awards introduce a new category for costume design, Manish Malhotra being the first recipient.
For all of us who have been through the different challenges of the pandemic, each of the stories will evoke your senses in its own way, notes Divya Nair.
An encounter with movie veteran Chandrashekhar.
A playlist of 10 'so bad it's good' songs, our hostile neighbours will regret the day they decided to take panga.
The Oscars is prestigious and all artists covet it but ultimately, the business of winning is ruthless and political. And India has seldom risen to the challenge, argues Sukanya Verma.
Why were two of 2018's critically panned films awarded?! exclaims Aseem Chhabra.
'She is the main reason why I was inspired to make the film.'
Joginder Tuteja looks at the big clashes in the Independence Day weekend in the last decade.
Even with an ongoing pandemic, theatres in many states functioning at 50 per cent occupancy, a quieter social life and fewer movies, Bollywood still managed to pack in plenty of drama and trauma, fun and festivity, love and war into the year.
Other composers tried their luck with Paisa Yeh Paisa, but Director Indra Kumar wasn't happy with the outcome. '"Induji asked us to try and we are glad we did because the song has turned out too good!"'
'War is never a solution. It's nothing but real estate business I am against any kind of violence.'
As Saif turns 50, Joginder Tuteja looks at his top money-spinners over the years.
Five outsiders with zero connections in the film industry and no money made their mark despite nepotism ruling the roost.
'Tamhane's densely composed shots achieve what a vacuously whizzing camera seldom does.' 'Like those Renaissance Paintings in which a bewitching lady is shown posing for a portrait, and daily life plays out in a corner unruffled, Tamhane's static frames have a hundred interesting things happening within them,' observes Sreehari Nair.
Aseem Chhabra introduces us to the best of Berlinale.
A look at the pictures.
Dear Friend is for those who idealised Dil Chahta Hai all out of proportion, and then warmed up to the premise that friendship could be a lot more complicated, and transient, observes Sreehari Nair.
It is the most potent symbol of India's soft power -- more perhaps than the IT industry and our managerial skill, notes Vanita Kohli-Khandekar
'I loved doing Bunty Aur Babli. I love working with Rohit Shetty. I just shot for Dilwale. Kuch bhi karva leta hain mujhse (he makes me do anything)!' I worked in Jolly LLB for free. It was just a night's work. We laughed till we died during the shooting. It was such a cute character!' Meet Bollywood's busiest actor, Sanjay Mishra.
2010 was a year that made quite a few careers. It was also the year when films started earning Rs 100 crores.
If anyone thinks that the Golden Globes are insignificant, the Hollywood studios are out to prove them wrong.
Do you know Ashaji crooned a seductive night club song, Zooby Zooby Je L'aime Vous for An Evening In Paris?
'As soon as the plane touched down and we emerged, barricades came down and his fans rushed towards us.' 'Then, before my astonished eyes, they had lifted him up and he was being passed along over the heads of people.' 'It was an incredible sight!'
HUL is keen to redefine the way in which brands tell their stories to consumers.
Oscar winners, festival favourites, massy entertainers, all-time classics, Sukanya Verma offers plenty to pick from on OTT this week.
Karan Johar's Kalank may have tanked at the box office but it was a winner at the 12th Mirchi Music Awards, where it won the top awards.
Shiraz: A Romance of India, a 1928 Indo-British-German silent classic, will tell the epic tale once again. And you're invited.
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